|
Silvertone Guitars
were produced by Danelectro for exclusive distribution through Sears
and Roebuck stores. Many a guitarist's first guitar was a Silvertone
purchased from Sears.
  
1958
6Click to enlarge 1960 Sears catalog
page below6


5Click
to enlarge 1963 Sears catalog page5
6 Click
to enlarge '66 Sears catalog6


Excerpts from an article by C.W. Fisher,
son of Joe Fisher: National Headquarters - Sears,
Roebuck and Company - Homan & Arthington, Chicago, Illinois.
1963 - Joe Fisher, 38, was a buyer for musical instruments at Sears.
Nathan Daniel, 51, wants Sears to sign on with the Danelectro guitar
line but Fisher would not be sold. He told Nate that without an
amplifier included, no deal. So Fisher and Daniel put their heads
together and come up with the "Electric guitar and carrying case
with built-in 5-in speaker and amplifier." It would be a piece of
the cheapest material available for the body, masonite. Stapled to
the flat sides, spray painted and edged with vinyl. There's the
body. According to Nat, bodies don't matter in an electric guitar
(in direct opposition to the ideas of Les Paul, who believed a fine
electric guitar should be made of fine woods and weigh more than a
sack of fine potatoes). Nat put all his attention into the neck, and
here no expense was spared. His pickups were odd then and now, not
because of the lipstick tubes, but because he wired them in series.
This, they say, is what produced the unique Dano/Silvertone sound
now proudly owned by collectors and still played by some of the
world's finest guitar players.
Silvertone 1448L
This 13-inch-wide solid body guitar
weighed approximately 5.20 lbs. and had a nice, fat nut width
of just under 1 11/16 inches and a scale length of 24 1/2 inches.
Came with masonite top, poplar frame, poplar neck with aluminum nut,
and Brazilian rosewood fretboard with 21 frets and white dot
position markers. The deadstock had a silver silk-screened
"Silvertone" logo with one-piece six-in-a-line metal tuners with
"Skate Key" stamped buttons. There was one "lipstick tube" pickup
with alnico bar magnet with an output of 3.32k.
More: Baked melamine
pickguard. Two controls (one volume, one tone) and jack socket, all
on pickguard. Black plastic knobs with white tops. Combination
rosewood bar bridge/stud tailpiece. Serial number inside the neck
cavity.
The 1448L came housed in a three-watt
"Amplifier" case with a six-inch speaker (9.50). The
guitar with amp in the case weighed approximately 25.00
lbs.
"It's likely that more American musicians began their
interest in guitar-playing on a Silvertone -- as sold by Chicago's
Sears, Roebuck & Co -- than on any other beginner guitar.
Supplanting the Supertone brand when Sears divested itself of the
Harmony guitar company in 1940, Silvertone was a former brand for
radios, record-players and records. It was first applied to guitars
in 1941. A Silvertone version of the Kay Thin Twin and Sears' first
Les-Paul-style Harmony solidbody appeared in 1954. That same year
the first of several Danelectro-made Silvertone solid bodies
appeared, followed by masonite-and-vinyl hollowbodies in 1956. The
single-pickup amp-in-case guitars debuted in 1962."
"By 1962
the only Danelectro guitar offered by Sears was the new amp-in-case
guitar, a single-pickup short-horn in black metalflake. The
brillantly simple idea was that built into the guitar's case was a
three-watt amp and 6" speaker, providing the guitarist with a
portable electric guitar outfit. This was joined in 1963 by a
two-pickup version in red sunburst that came with a deafening
five-watt amp, 8" speaker and tremolo. The six-tuners-in-line
headstocks now looked like meat cleavers. In 1967 the amp-in-case
guitars changed to a new Fender Jaguar-style shape" (Source: Tony
Bacon, Electric Guitars: The Illustrated Encyclopedia, p.
46).

51448L with Amp-In-Case5


52
Pickup 1457L6

52
Pickup 1457L6
 



 


 
Mick Jagger
More Vintage
Silvertones
 


56-U1




57 U-1
Model 1303 circa
1958 This is the predecessor of the better-known
Danelectro U2 - note the smaller, thinner "C" body style. For some
reason the Silvertone versions still haven't caught up to the
Danelectros in price, although these pre-"U" models are at the top
of the Silvertone food chain. "C" models have a center block to
which the top and back were glued, unlike the "U" guitars, which had
a thinner brace glued to the back only. This accounts for their
tighter sound.
Model 1317 circa 1957 The
"quintessential" Danelectro-made Silvertone U1 - long-scale neck,
3-way "tone switch" and "coke bottle" headstock. These guitars sound
rich and multi-dimensional, yet quite twangy and lively - completely
unlike the popular Korean reissue Danelectros. The tone switch
circuitry on these single-pickup models allows for a surprisingly
wide range of sounds. A highly underrated, lightweight and playable
guitar with a big tone.
Model 6038 circa
1960
Model 1416 circa
1962 These originally came in either a black or bronze
(Model 1415) finish. The "dolphin nose headstock" version of the U1.
Quite common and usually available for less than a reissue. The
headstock configuration makes these later models feel somewhat
different from their predecessors in terms of string tension.
Slightly slimmer necks than on 50's models. The guitar above is the
second version (note rounded cutaway shape).
Model 1457 circa
1964 The long-scale, 2-pickup "amp-in-case" model.
Features two series-wired pickups w/ concentric controls. Bigger and
looser sounding than the "U" models on account of even less internal
bracing - only a block under the bridge. Everything you would expect
from a two-pickup Danelectro at a fraction of the price of a
Shorthorn. Despite having the same body shape as the short-scale
1448, these are vastly superior guitars on par with other long-scale
Danelectros.
Click here for
vintage Silvertone inventory.

Back to Top |